Ancient Egyptian Ushabti Figures (3) | Circa 1069–664 BCE

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Three ancient Egyptian faience ushabti figures with turquoise and earthen patina displayed on a beige background.
Trio of ancient Egyptian faience ushabti figures mounted on a dark hardwood base against a white studio background.
Front view of three ancient Egyptian faience ushabti figures on a dark wooden display stand with mineral-rich turquoise patina.
Angled side view of Egyptian faience ushabti trio showing sculptural details and aged green-blue patina on a wooden stand.
Rear view of three ancient Egyptian ushabti figures with burial patina and mounting pins displayed on a dark wood base.
Side perspective of ancient Egyptian ushabti trio highlighting mineral encrustations and faience surfaces on a dark stand.
Three ancient Egyptian faience ushabti figures viewed from a diagonal angle on a black wooden display base.
Egyptian ushabti trio with turquoise and ochre patina displayed on a dark wooden base against a white background.
Top-down view of three ancient Egyptian faience ushabti figures showing varying shapes, patina textures, and burial wear.
  • Three ancient Egyptian faience ushabti figures with turquoise and earthen patina displayed on a beige background.
  • Trio of ancient Egyptian faience ushabti figures mounted on a dark hardwood base against a white studio background.
  • Front view of three ancient Egyptian faience ushabti figures on a dark wooden display stand with mineral-rich turquoise patina.
  • Angled side view of Egyptian faience ushabti trio showing sculptural details and aged green-blue patina on a wooden stand.
  • Rear view of three ancient Egyptian ushabti figures with burial patina and mounting pins displayed on a dark wood base.
  • Side perspective of ancient Egyptian ushabti trio highlighting mineral encrustations and faience surfaces on a dark stand.
  • Three ancient Egyptian faience ushabti figures viewed from a diagonal angle on a black wooden display base.
  • Egyptian ushabti trio with turquoise and ochre patina displayed on a dark wooden base against a white background.
  • Top-down view of three ancient Egyptian faience ushabti figures showing varying shapes, patina textures, and burial wear.
Three ancient Egyptian faience ushabti figures with turquoise and earthen patina displayed on a beige background.
Trio of ancient Egyptian faience ushabti figures mounted on a dark hardwood base against a white studio background.
Front view of three ancient Egyptian faience ushabti figures on a dark wooden display stand with mineral-rich turquoise patina.
Angled side view of Egyptian faience ushabti trio showing sculptural details and aged green-blue patina on a wooden stand.
Rear view of three ancient Egyptian ushabti figures with burial patina and mounting pins displayed on a dark wood base.
Side perspective of ancient Egyptian ushabti trio highlighting mineral encrustations and faience surfaces on a dark stand.
Three ancient Egyptian faience ushabti figures viewed from a diagonal angle on a black wooden display base.
Egyptian ushabti trio with turquoise and ochre patina displayed on a dark wooden base against a white background.
Top-down view of three ancient Egyptian faience ushabti figures showing varying shapes, patina textures, and burial wear.

Ancient Egyptian Ushabti Figures (3) | Circa 1069–664 BCE

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Historical Context & Origin

Region: Roman Empire (Eastern Mediterranean)
Material: Glass with natural iridescent and mineral patina
Period: Circa 1st–4th Century AD

Description
This well-preserved Roman glass bracelet is a striking example of ancient glassworking. Hand-formed from molten glass and shaped into a circular band, it showcases a rich cobalt-blue hue—one of the most prized colors in Roman adornment. The twisted design provided both elegance and additional strength, reflecting the skill and refinement of Roman artisans. Natural iridescence and mineral deposits, formed over nearly two millennia of burial, enhance its character and authenticity. As a personal ornament worn in daily life, it offers a tangible and intimate connection to the ancient Roman world.

Features

- Deep cobalt-blue coloration prized in Roman glasswork

- Classic twisted design symbolizing unity, continuity, and elegance

- Natural iridescent sheen formed through centuries of burial

- Mineral patina enhancing color depth and authenticity

- Skillfully hand-formed in antiquity

Cultural Significance
Roman glass bracelets were popular throughout the Empire, worn especially by women and children as symbols of beauty, refinement, and social identity. Each piece was made by hand, making every bracelet unique to its wearer. Today, such artifacts endure as evocative remnants of Roman daily life, fashion, and craftsmanship.

Condition
Excellent ancient condition with expected surface weathering, iridescence, and mineral adhesion. No modern repairs or restoration.

Dimensions (Approximate)
Diameter: 3.25 in (8.25 cm)

Age
Circa 1st–4th Century AD

Learn More

Explore comparable ancient Egyptian funerary figures and deepen your understanding of ushabti craftsmanship, burial practices, and symbolic meaning: Ushabti of Horudja – Funerary Figurine (Art Institute of Chicago)

Discover more authentic artifacts from Ancient Egypt — including ushabti figures, mummification objects, amulets, and ritual pieces: Ancient Egyptian Mummies & Artifacts – Relic And Rarity

Descripción

Historical Context & Origin

Region: Roman Empire (Eastern Mediterranean)
Material: Glass with natural iridescent and mineral patina
Period: Circa 1st–4th Century AD

Description
This well-preserved Roman glass bracelet is a striking example of ancient glassworking. Hand-formed from molten glass and shaped into a circular band, it showcases a rich cobalt-blue hue—one of the most prized colors in Roman adornment. The twisted design provided both elegance and additional strength, reflecting the skill and refinement of Roman artisans. Natural iridescence and mineral deposits, formed over nearly two millennia of burial, enhance its character and authenticity. As a personal ornament worn in daily life, it offers a tangible and intimate connection to the ancient Roman world.

Features

- Deep cobalt-blue coloration prized in Roman glasswork

- Classic twisted design symbolizing unity, continuity, and elegance

- Natural iridescent sheen formed through centuries of burial

- Mineral patina enhancing color depth and authenticity

- Skillfully hand-formed in antiquity

Cultural Significance
Roman glass bracelets were popular throughout the Empire, worn especially by women and children as symbols of beauty, refinement, and social identity. Each piece was made by hand, making every bracelet unique to its wearer. Today, such artifacts endure as evocative remnants of Roman daily life, fashion, and craftsmanship.

Condition
Excellent ancient condition with expected surface weathering, iridescence, and mineral adhesion. No modern repairs or restoration.

Dimensions (Approximate)
Diameter: 3.25 in (8.25 cm)

Age
Circa 1st–4th Century AD

Learn More

Explore comparable ancient Egyptian funerary figures and deepen your understanding of ushabti craftsmanship, burial practices, and symbolic meaning: Ushabti of Horudja – Funerary Figurine (Art Institute of Chicago)

Discover more authentic artifacts from Ancient Egypt — including ushabti figures, mummification objects, amulets, and ritual pieces: Ancient Egyptian Mummies & Artifacts – Relic And Rarity

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