Thai Bronze Buddha Head with Encrusted Patina | Circa 18th Century or Earlier

Historique de provenance et de propriété

Long Island, New York collection, where the piece was preserved as part of an established collection of Asian art and historical objects.

Formerly in the collection of Nancy and John Hyde Devoe, New York City and New Jersey, active collectors during the 1950s–1970s. Their collection was assembled during an important period of American collecting interest in Asian, ancient, and ethnographic works of art.

Subsequently handled by Artemis Fine Arts Gallery, a specialist dealer in ancient, classical, ethnographic, and culturally significant works of art.

Prix habituel
$500.00
Prix soldé
$500.00
Prix habituel
Frais de port calculés à la caisse.

This is a one-of-a-kind historical object. Once sold, this exact piece will not be restocked.

Questions before acquiring? Additional photographs, condition details, documentation, shipping information or a private viewing are available upon request.
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Authenticity and secure checkout guarantee

Thai Bronze Buddha Head with Encrusted Patina | Circa 18th Century or Earlier

Description

Historical Context & Origin

Region: Thailand
Material: Cast bronze / copper alloy with naturally encrusted patina
Period: 18th Century or Earlier

Description

This small and evocative Thai bronze Buddha head dates to the 18th century or earlier and originally formed part of a larger devotional figure. Cast in bronze and now mounted upon an old wooden block base, the head preserves the characteristic spiritual expression and iconographic features associated with traditional Thai Buddhist sculpture.

The Buddha is represented with an elongated face, softly defined downcast eyes, pronounced brows, a straight nose, gently modelled lips, and extended earlobes. Rising above the head is a prominent cranial protuberance, or ushnisha, surmounted by a pointed finial. These features belong to the traditional visual language used to distinguish representations of the Buddha and symbolize his enlightened state.

The surface is particularly appealing, displaying extensive natural encrustation, oxidation, and areas of greenish verdigris developed over many years. The resulting mottled brown, olive, green, and earthen surface gives the sculpture a strongly archaeological character while preserving much of the underlying facial modelling.

The head was separated from its original figure at an unknown date and subsequently mounted on an old rectangular wooden block for display. Thai bronze Buddha heads surviving independently from larger sculptures are well represented in institutional collections, demonstrating the longstanding use of copper alloys and characteristic features such as elongated earlobes and the ushnisha in Thai Buddhist sculpture.

Features

- Originally formed part of a larger Buddhist figure

- Prominent ushnisha with pointed finial

- Elongated earlobes characteristic of Buddhist iconography

- Serene, softly modelled facial expression

- Extensive naturally encrusted and oxidized surface

- Areas of green verdigris and mineral deposition

- Strong aged brown and olive patina

- Mounted on an old wooden block display base

Cultural Significance

Images of the Buddha have occupied a central position within Thai religious and artistic traditions for centuries. Beyond serving as works of sculpture, such figures were devotional images intended to embody and communicate the qualities of enlightenment, spiritual calm, wisdom, and detachment.

Several features visible on this head are traditional signs associated with Buddhahood. The ushnisha, or cranial protuberance, represents heightened wisdom and spiritual attainment, while the elongated earlobes recall the Buddha's former princely life and subsequent renunciation of material wealth.

Condition

Good antique condition consistent with significant age. Extensive surface encrustation, oxidation, verdigris, mineral deposits, pitting, abrasions, and general wear are present throughout, with softened facial and decorative details.

There is an old area of loss to the back of the head. The head is mounted on an old wooden block base showing its own age-related wear, scratches, and surface marks. No attempt has been made to remove the naturally developed encrustation and patina.

Dimensions (Approximate)

Overall Height: 3.7 in
Width: 1.25 in
Depth: 1.25 in

Dimensions are measured as presently mounted on the wooden display base.

Age (Approximate)

225+ years old

Provenance

Long Island, New York collection, where the piece was preserved as part of an established collection of Asian art and historical objects.

Formerly in the collection of Nancy and John Hyde Devoe, New York City and New Jersey, active collectors during the 1950s–1970s. Their collection was assembled during an important period of American collecting interest in Asian, ancient, and ethnographic works of art.

Subsequently handled by Artemis Fine Arts Gallery, a specialist dealer in ancient, classical, ethnographic, and culturally significant works of art.

Learn More

See a closely related late 18th–19th-century Thai copper-alloy Buddha head in the collection of The Metropolitan Museum of Art

Discover our curated Buddhist and Hindu Relics: Sacred Statues Collection

Description

Historical Context & Origin

Region: Thailand
Material: Cast bronze / copper alloy with naturally encrusted patina
Period: 18th Century or Earlier

Description

This small and evocative Thai bronze Buddha head dates to the 18th century or earlier and originally formed part of a larger devotional figure. Cast in bronze and now mounted upon an old wooden block base, the head preserves the characteristic spiritual expression and iconographic features associated with traditional Thai Buddhist sculpture.

The Buddha is represented with an elongated face, softly defined downcast eyes, pronounced brows, a straight nose, gently modelled lips, and extended earlobes. Rising above the head is a prominent cranial protuberance, or ushnisha, surmounted by a pointed finial. These features belong to the traditional visual language used to distinguish representations of the Buddha and symbolize his enlightened state.

The surface is particularly appealing, displaying extensive natural encrustation, oxidation, and areas of greenish verdigris developed over many years. The resulting mottled brown, olive, green, and earthen surface gives the sculpture a strongly archaeological character while preserving much of the underlying facial modelling.

The head was separated from its original figure at an unknown date and subsequently mounted on an old rectangular wooden block for display. Thai bronze Buddha heads surviving independently from larger sculptures are well represented in institutional collections, demonstrating the longstanding use of copper alloys and characteristic features such as elongated earlobes and the ushnisha in Thai Buddhist sculpture.

Features

- Originally formed part of a larger Buddhist figure

- Prominent ushnisha with pointed finial

- Elongated earlobes characteristic of Buddhist iconography

- Serene, softly modelled facial expression

- Extensive naturally encrusted and oxidized surface

- Areas of green verdigris and mineral deposition

- Strong aged brown and olive patina

- Mounted on an old wooden block display base

Cultural Significance

Images of the Buddha have occupied a central position within Thai religious and artistic traditions for centuries. Beyond serving as works of sculpture, such figures were devotional images intended to embody and communicate the qualities of enlightenment, spiritual calm, wisdom, and detachment.

Several features visible on this head are traditional signs associated with Buddhahood. The ushnisha, or cranial protuberance, represents heightened wisdom and spiritual attainment, while the elongated earlobes recall the Buddha's former princely life and subsequent renunciation of material wealth.

Condition

Good antique condition consistent with significant age. Extensive surface encrustation, oxidation, verdigris, mineral deposits, pitting, abrasions, and general wear are present throughout, with softened facial and decorative details.

There is an old area of loss to the back of the head. The head is mounted on an old wooden block base showing its own age-related wear, scratches, and surface marks. No attempt has been made to remove the naturally developed encrustation and patina.

Dimensions (Approximate)

Overall Height: 3.7 in
Width: 1.25 in
Depth: 1.25 in

Dimensions are measured as presently mounted on the wooden display base.

Age (Approximate)

225+ years old

Provenance

Long Island, New York collection, where the piece was preserved as part of an established collection of Asian art and historical objects.

Formerly in the collection of Nancy and John Hyde Devoe, New York City and New Jersey, active collectors during the 1950s–1970s. Their collection was assembled during an important period of American collecting interest in Asian, ancient, and ethnographic works of art.

Subsequently handled by Artemis Fine Arts Gallery, a specialist dealer in ancient, classical, ethnographic, and culturally significant works of art.

Learn More

See a closely related late 18th–19th-century Thai copper-alloy Buddha head in the collection of The Metropolitan Museum of Art

Discover our curated Buddhist and Hindu Relics: Sacred Statues Collection

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