Majapahit Stone Sculpture of Three-Faced Brahma | 14th–15th Century | Indonesian Hindu Artifact for Sale
Description
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Own a rare and museum-worthy Majapahit stone sculpture of Brahma, the Hindu god of creation, dating to the 14th–15th century CE.
This exceptional three-faced carving originates from Java, Indonesia, during the height of the Majapahit Kingdom — a period renowned for its fusion of Hindu and Buddhist artistry.
The sculpture depicts Brahma with three serene faces, each rendered with arched brows, almond eyes, and calm expressions beneath a tall, tiered crown. Carved from dense volcanic andesite stone, the figure represents divine omniscience and the creative power central to Hindu cosmology.
Its large size and temple-style craftsmanship suggest it once formed part of a shrine or sacred courtyard ensemble within a Javanese temple.
Why This Majapahit Brahma Sculpture Is So Rare
1. Monumental Temple Origin – Standing approximately 17 inches high, this sculpture is among the few surviving examples of large-scale Brahma figures from the Majapahit period, likely created for a royal or temple setting.
2. Distinct Three-Faced Design – Each visage of Brahma embodies a different cosmic aspect — creation, preservation, and wisdom — representing Hindu theological mastery in pre-Islamic Indonesia.
3. Certified Provenance – Documented in the Cecil Blocker Collection (1955–1958) and exhibited at the Cincinnati Art Museum in 1985, confirming its authenticity and institutional recognition.
4. Archaeological Significance – The piece was reportedly unearthed during a tiger pit excavation, providing a rare archaeological context that enriches its historical narrative.
Authenticity & Provenance
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Collection: Cecil Blocker Collection (1955–1958)
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Exhibition: Cincinnati Art Museum, March 7, 1985
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Material: Carved volcanic andesite/basalt stone, traditional to Javanese temple art
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Archaeological Record: Discovered during a tiger pit excavation in Java
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Certification: Supported by documented provenance and museum exhibition record
This sculpture’s authenticity is beyond question — an extraordinary survivor of one of Southeast Asia’s most influential empires.
Specifications
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Region: Indonesia (Java, Majapahit Kingdom)
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Period: 14th–15th Century CE
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Material: Volcanic andesite/basalt stone
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Dimensions: Height 17 in × Width 11 in × Depth 6.6 in
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Condition: Excellent for age, with stable structure and natural surface patina typical of ancient volcanic stone.
A Timeless Investment for Collectors of Asian Antiquities
This Majapahit Brahma stone sculpture is more than a relic — it’s a sacred reflection of Indonesia’s spiritual and artistic heritage.
Perfect for collectors of Asian art, Hindu sculpture, or museum-quality antiquities, it represents a rare opportunity to own a documented artifact from the golden age of Javanese civilization.
Explore and Learn More
View the Cincinnati Art Museum's Collection, Where This Was Once Exhibited: https://www.cincinnatiartmuseum.org/
See Other Three Faces of Brahma Artifacts and Learn Their Stories at: The Penn Museum
Description
Own a rare and museum-worthy Majapahit stone sculpture of Brahma, the Hindu god of creation, dating to the 14th–15th century CE.
This exceptional three-faced carving originates from Java, Indonesia, during the height of the Majapahit Kingdom — a period renowned for its fusion of Hindu and Buddhist artistry.
The sculpture depicts Brahma with three serene faces, each rendered with arched brows, almond eyes, and calm expressions beneath a tall, tiered crown. Carved from dense volcanic andesite stone, the figure represents divine omniscience and the creative power central to Hindu cosmology.
Its large size and temple-style craftsmanship suggest it once formed part of a shrine or sacred courtyard ensemble within a Javanese temple.
Why This Majapahit Brahma Sculpture Is So Rare
1. Monumental Temple Origin – Standing approximately 17 inches high, this sculpture is among the few surviving examples of large-scale Brahma figures from the Majapahit period, likely created for a royal or temple setting.
2. Distinct Three-Faced Design – Each visage of Brahma embodies a different cosmic aspect — creation, preservation, and wisdom — representing Hindu theological mastery in pre-Islamic Indonesia.
3. Certified Provenance – Documented in the Cecil Blocker Collection (1955–1958) and exhibited at the Cincinnati Art Museum in 1985, confirming its authenticity and institutional recognition.
4. Archaeological Significance – The piece was reportedly unearthed during a tiger pit excavation, providing a rare archaeological context that enriches its historical narrative.
Authenticity & Provenance
-
Collection: Cecil Blocker Collection (1955–1958)
-
Exhibition: Cincinnati Art Museum, March 7, 1985
-
Material: Carved volcanic andesite/basalt stone, traditional to Javanese temple art
-
Archaeological Record: Discovered during a tiger pit excavation in Java
-
Certification: Supported by documented provenance and museum exhibition record
This sculpture’s authenticity is beyond question — an extraordinary survivor of one of Southeast Asia’s most influential empires.
Specifications
-
Region: Indonesia (Java, Majapahit Kingdom)
-
Period: 14th–15th Century CE
-
Material: Volcanic andesite/basalt stone
-
Dimensions: Height 17 in × Width 11 in × Depth 6.6 in
-
Condition: Excellent for age, with stable structure and natural surface patina typical of ancient volcanic stone.
A Timeless Investment for Collectors of Asian Antiquities
This Majapahit Brahma stone sculpture is more than a relic — it’s a sacred reflection of Indonesia’s spiritual and artistic heritage.
Perfect for collectors of Asian art, Hindu sculpture, or museum-quality antiquities, it represents a rare opportunity to own a documented artifact from the golden age of Javanese civilization.
Explore and Learn More
View the Cincinnati Art Museum's Collection, Where This Was Once Exhibited: https://www.cincinnatiartmuseum.org/
See Other Three Faces of Brahma Artifacts and Learn Their Stories at: The Penn Museum
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